We’ve woken up, but we still need a cure to Insomnia

The news broke several days ago now that Insomnia Publications had released all of its creators from their contracts. Everyone received a short, polite email from publisher Crawford Coutts, and thus ended many weeks of speculation, worry, and countless threats of violence. The rumour mill continues to rumble, with accusations being levelled at a number of individuals for their contribution to the publisher’s downfall, and a number of people coming out of the woodwork to commentate on what had happened. As always, people were far wiser after the event.

Some have called “shenanigans” on some of Insomnia’s sales figures. Some have claimed that an email from Burke and Hare creator and ex-Vigil Editor Martin Conaghan, accidentally leaked by Rich Johnston at Bleeding Cool, was the catalyst that started the whole, painful process. Nearly every publisher, be they small, indie, or none of the above, seems to have been offered a chance to purchase Insomnia. (I don’t know if I’m glad or not that Monkeys with Machineguns was beneath Insomnia’s notice when it came to this. Some people say they are owed money.) Other people have spotted Insomnia products on sale either online or in shops and are wondering what will happen to the profits, if any, from this.

And, of course, a great many creators are happy and relieved to have their projects back in their own hands, even if that means they must begin the search for a publisher once more. To all of those creators, of which I myself am one, I wish the best of luck.

Personally, I am sad to see Insomnia fail. It was a brave, and noble, experiment. It gave a home to projects that may not have been, and now may not be, published anywhere else. It brought creators together and created a buzz that was real, even if it was fleeting. I hope that in time, as wounds heal and excitement dies down, people think more kindly about Crawford Coutts. Perhaps he was just someone who found himself suddenly out of his depth, who’s creation became bigger than him and his ability to control it, and who ultimately could not feed the monster that he had created. Perhaps he had the very best of intentions, right until the end.

Think about it, wouldn’t you hide from a bunch of angry comic creators?

I will admit, of course, that my reasons for hoping this are not completely altruistic. There are too few British publishers as it stands today, Insomnia’s corpse yet another to fill the already our overflowing industry’s mass-graves-behind-the-chemical-sheds. We need more people who have some sort of curious passion for printing, logistics, marketing, spending hours on the phone to retailers, spending more hours behind a stand at an expo, and then spending even more hours when they get home reading the multitudinous submissions thrust into their hands at the expo when what they really wanted was your money … They are a rare, and beautifully masochistic breed. They put up our with our blown deadlines, our changes of heart. They are the ones who nurse us through our first broken hearts when a bad review arrives. They are the ones who put their money and time and skill into the pursuit of our dreams.

If there is someone out there, right now, thinking of picking up where Insomnia left off, thinking that perhaps they can make it work? I hope they don’t read all of the stuff that is out there right now and decide … “Screw that, it’s too much grief”. Because I know I would.

And yes, of course I know, they are no more full of altruism than me. But we need them. We need them more than they need us.

So, spare a thought for your publisher. As masochistic as they all surely are, they might just appreciate it.

Birds of Geek vs. Dan and Chris and why “The Dark is like Watchmen”

to_the_shelfBirds of Geek have released their Bristol Comic Expo Special episode, featuring back to back interviews with Dan Boultwood (yes, Dan Boultwood on his own without Tony Lee) and then, later on, me.

Dan is on absolutely top form, whimsical and somewhat manic but very informative and open.

I’m … me. Same old, same old. Apparently everyone knows the story of me, Amy and the shelf. Yes, I am “The Shelfpest“.

But, if you haven’t heard quite enough from me and you can cope with me digressing into a lot of technology and science stuff in what is supposed to be a comics podcast, click here to listen to Birds of Geek Episode 51.

If you don’t want to listen to the whole thing, skip to about half way through to here the highly quotable “it’s like Watchmen” from Amy Liff. This quote will be on all of our new promotional literature, at least until Alan Moore gets wind of it.

Domain spelunking Auntie Beeb

A recent Freedom of Information request has unearthed a sizeable number of domain names owned by the BBC.

Whilst some are territory related, there are a number of interesting ones relating to specific TV series. I’ve never been good an unearthing this kind of back matter, although I’m always intrigued when I do find it. My current favourites are http://www.unit.org.uk, which has some interesting UNIT activity relating to the Chris Ecclestone era Doctor Who, and http://jellyparties.co.uk/, which is the truly terrifying website of Psychoville’s Mr. Jelly.

Most of the sites don’t look like they have taken a lot of time to set up, although I suspect the awful state of Mr. Jelly’s is the work of many hours for an ingenious designer. Perhaps I should make an FOI request myself as to how much time these sites take, and how many other people have found them before now?

Two wise monkeys and me: It’s the Comic Book Outsiders Bristol Roundtable!

Last year the Bristol Comic Expo played host to a round table discussion between the twin publishing mights of Monkeys with Machineguns and Orang Utan comics, the crew from Geek Syndicate, and some hardcore comic fans, all masterfully hosted and chaired by the erudite genius Scott Grandison. The result became Comic Book Outsiders Episode 46.

This year, the round table took a more formal … form, and found itself on the official schedule for the Small Press Expo in the Mercure Hotel.

Click here to listen to the Comic Book Outsiders Panel

With another year behind all of us, Peter Rogers, Ian Sharman, and myself all took to the floor to talk about our experiences as both publishers and creators, how we got started in the industry, and where we think we are going next. The differing approaches taken by our respective publishing houses/studios hopefully made for an interesting and thought provoking panel.

If not, you will get to hear me

  1. Stretch a one beat joke about a table cloth way beyond its sell by date
  2. Somehow pull off a callback to a previous joke at the end of the panel
  3. Accuse Ian Sharman of “Saying no, but meaning yes”
  4. Accuse Peter Rogers of looking like Lynne Faulds Wood
  5. Accuse Peter Rogers of being Jessica Fletcher from Murder She Wrote

The topic of digital comics also features heavily, and I do my best to deliver an impassioned plea on behalf of those who like to share comics. I’ll have to listen back to see if I got my point across or not.

Bristol Comic Expo Panel: “Signs and Portents”

The audio recording of my Bristol Comic Expo panel, Signs and Portents“, is now available from the Sidekick Cast website, iTunes, and anywhere where good podcasts can be found.

Before I write anything about this panel, I want to send out a huge thanks to both the boys from Sidekick Cast and to everyone who turned up to make the panel a success. We had some great questions, an incredible game of Secrets and Lies, and the whole process was made significantly less nerve racking and markedly more awesome by having a room full of friendly faces.

Gushing over.

If you missed the panel, other than a potted history of The Dark and MWM, some shameless plugging (including a new personal best for me), and some light hearted ribbing of a certain missing monkey, you probably missed me talking about codes, fiction, stories inside stories, fringe science, how thinly read I really am, and trying to answer some questions from people who had clearly thought about them beforehand. The swines. (Barry Nugent, I’m looking at you).

We had a lot of positive feedback about the panel throughout the show, so if you did miss it and would like to catch up, download the “Signs and Portents” podcast today.